Afterword, 6th edition

Kizuna is now out in the wilderness of Kanazawa Station.

Both the famous tsuzumi drums and our resident school idol had to wait for their times in the limelight, but in return, the station gate gets a new coat of paint and Kizuna becomes the only girl able to model her own clothes on the book cover.

My relentless thanks go again to Rumikuu for her precision efforts at capturing the image in my mind. If possible, I’d like to borrow whatever camera she has. I’m sure it’d help me getting my words out easier, although it’d probably need several rounds of editing afterwards.

The release of the sixth volume has been a long time in the making. I remember when I was writing the first volume, I was already thinking about the story I wanted to convey in this sixth book, and as a result, my scrapbook of lines, settings and plot points that will never see the light of day is largest for this particular volume. That I’m able to show any moderation is remarkable to me. Not being gifted in the craft of storytelling, I write what I want and not what I need, and as a result, I will never be granted a seat in any self-respecting writer’s den.

Still, I wonder if this will at least let me peek through the keyhole.

My fixation with volume six is not without reason. It’s not a very good reason, but that hardly matters. At the time, it seemed to me that most of the light novels I was reading had some kind of narrative fireworks display to showcase around that time, and so for no reason other than lacking creativity, an editor, or just some random dude off the street to tell me no, I set my heart into making sure that in the sixth volume, a state of change will occur. In the end, I wonder if the things I wrote felt like a fireworks display or a shoulder tap by a Hokkaido’s night breeze?

For now, only I know. But I don’t believe in keeping secrets.

The slide has been ridden, and now the only path is forwards, faster and faster than before. I intend for it to be more gentle and more fun than a rollercoaster.

Lily Clairet will continue in the seventh volume. However, it will not continue indefinitely. I suspect the ending will come sooner than most people expect.

When it does, I hope people can read it with a smile.

Kanazawa, the town where time stops only for itself

Kanazawa ( 金沢 ) is a fashionable castle town located on the coast of central Honshu. Facing towards the Sea of Japan, it’s a diverse, cultural city blending modern functionality with traditional sentiments. The beautifully preserved tea districts, the rebuilt castle and the famous Kenrokuen Garden sits side-by-side with the 21st Century Museum of Contemporary Art, the Downtown Korinbo shopping boulevard, as well as the night lights of Katamachi. Kanazawa is the capital of Ishikawa Prefecture. And it’s also the home of the Lily Clairet series.

Below is a few photos I’ve taken of Kanazawa, including the specific reference photos I provided to Rumikuu for the creation of the various front covers.

Kenrokuen Garden, Visited In Volume 3

Lily herself doesn’t actually live in Kanazawa city, although almost all of the others do. She lives 40 minutes away after waking up late, requiring 20 of those minutes to leave the house. This means she automatically becomes the one person who has to meet up with everyone else. It’s a reasonable tax to pay to be able to walk to school every morning, though.

Kanazawa Station, Central Concourse

Many of Kanazawa’s landmark locations are visited throughout the light novels. Many of the less known ones more so. Kanazawa Station is definitely the former. Being central to the city, it’s a frequent meeting point for Lily’s weekend adventures.

In 2015, Kanazawa Station received the Shinkansen treatment to Tokyo. Before then, travel between Kanazawa and Tokyo was significantly more convulated, requiring transferring between local trains, limited express trains, and sometimes even overnight trains. Now, the quiet charms of the Kazue-machi district or the permanent clouds obscuring the views atop Tokyo Tower can both be easily visited via the Hokuriku Shinkansen Line.

Kazue-machi Chaya, Reference Photo, Volume 1 Cover

Among Kanazawa’s most well-known locations are its three beautifully preserved tea districts, Higashi-Chaya, Nishi-Chaya and Kazue-machi Chaya. During the Edo Period, these tea districts served as entertainment hubs. Today, they are cultural and tourism sites where guests can enjoy meeting modern day geishas, participate in local arts and crafts and purchase an ¥891 gold-leafed ice cream. The above photo features the Kazue-machi Chaya district, and is the reference I provided to Rumikuu for the illustration of volume one’s cover. This is also the location of Sanae Kaneko’s home and gift shop.

Higashi-Chaya, Reference Photo, Volume 2 Cover

Even amongst the three districts, Higashi-Chaya often takes the limelight as far as promotions go. It features a maze of winding backstreets splitting off from its central avenue like streams breaking off from a river. Many of the buildings are active as shops or heritage sites, one of which is graced by Sonata Sonoda on volume two’s cover. Because of the density of shops, a significant amount of traffic passes through the district everyday. None of that has worn away the quaint atmosphere. Don’t be surprised if you see a bride and groom on their wedding walk together!

Tokyu Square Korinbo, Reference Photo, Volume 3 Cover

Formerly the Kohrinbo 109 until its rebrand, this department store functions as one of many shopping malls congregating around Kanazawa’s central commercial shopping district. Despite the tough competition from the nearby upscale Daiwa & Altrio, it’s the department store of choice with the students of Saisei High School. Kaneko buys her hats here, and Kizuna chooses the entrance outside as her meeting spot with her fans. The department store also provides ready access to the nearby Taito Arcade Station and trendy Tatemachi Street, filled with everything a fashion-conscious high school girl needs to survive.

And, well, there’s also a McDonalds nearby.

Osaki Shrine, Reference Photo, Volume 4 Cover

Slightly away from the hustle and bustle of downtown is the Osaki Shrine, a small Shinto shrine guarded by a pair of lovable Komainu. These lion-dogs are fiercesome guardians who will proudly defend the shrine against evil-doers and littering miscreants alike. They’re also quite shy, and so excused themselves from volume four’s cover. A little bit of the base can still be seen, however, so they’re still doing their part in protecting this particular volume from those page eating spirits. The other books are left to the elements.

The Osaki shrine isn’t as visited as its larger neighbour, the Oyama Jinja shrine dedicated to the former ruling lord and lady of the Kaga domain. Regardless, it’s the shrine of choice for Kaede Satake when she feels the need to ensure the Komainu aren’t suffering any chips or bouts of loneliness.

That’s all for this edition of splurging about Kanazawa. It’s more pictures than text, but that’s okay, right? Next time, I’ll write about some of the locations visited in the series. I hope you enjoyed a look at the references used by Rumikuu. As you can tell, she did an exemplary job making the locations true to life. In fact, the only problem is the lack of detail in my photos!